Another week has gone by, and Sam Smith & Kim Petras are still at the UK top spot on the chart with "Unholy", so this time I'm reviewing "Super Freaky Girl" by Nicki Minaj, and I never know what to expect when it comes to this queen of hip-hop, but I can guarantee she serves in every visual, and this is just another serve and a half! Selling sex, fierceness and charged energy, Nicki Minaj doesn't disappoint both with this song and the music video, and you can totally understand why she has hit after hit after hit.
Sampling Rick James' "Super Freak" throughout, Nicki Minaj transforms the track creating lyrics about sexual fantasies and desires while also rapping about the length of her career. The songwriters are listed as Rick James, Alonzo Miller, Lukasz Gottwald, Aaron Joseph, Lauren Miller, Vaughn Oliver, Onika Maraj, and Gamal Lewis, with Dr. Luke, Malibu Babie, Vaughn Oliver, and Aaron Joseph acting as producers.
The music video sees Nicki Minaj as a Barbie-like character who also has a love interest who resembles Ken - played by Alexander Ludwig (known for being in The Hunger Games, Vikings, and Heels, as well as The Band Perry's music video "Gentle On My Mind"). The video feels like it's straight out of Fergie's music video for "M.I.L.F. $", it's that suburban lifestyle, only Nicki Minaj has a more sexed-up style, with sexual intentions and suggestions. There's choreography, of sorts, passionate delivery from this queen rapper, and there are also some vicious (freaky) accessories within the scenes including a very sharp knife and some scissors.
With Sam Smith & Kim Petras still at number one on the UK chart with "Unholy" - a song I adore and I hope will continue its reign for many weeks, I decided to choose to review "Bad Habit" by Steve Lacy for my Chart Mondays review. This song has peaked at number eight here in the UK after being stalled at number nine for the past two weeks, will it rise again next week? The track has had global success managing to chart at number one on the US Billboard Hot 100, as well as charting in the top five in Australia, Israel, and New Zealand, becoming his biggest global hit to date.
Written by Steve Lacy, Diana Gordon (yes, that's Wynter Gordon who sang that hit song "Dirty Talk"), John Kirby, Britanny Fousheé, and Matthew Castellanos, "Bad Habit" is an addictive R'n'B indie song that has a hint of dance thrown in which is what makes this song extra catchy. Steve Lacy has been in the music industry for a few years and seems to be underrated so it's great to see him get the recognition he deserves.
The music video, directed by Julian Klincewicz, doesn't have a lot going on, Steve Lacy performs the track in a studio space where he can be seen dancing and moving to the track while a pulsating light switches colours, freestyling and just being himself, almost as if the camera was left running and the song was played on repeat and he was left to do his own thing. There's a clear passion for the track displayed, and the scenes with his dog are adorable. Halfway through, the visual takes on a blurred concept which then intercuts the other scenes in the rest of the video - my takeaway from it is that it suggests that things could be different in an alternative reality, which links in with the concept of the track.
I might be making Chart Mondays difficult for me by covering this music video right now, but it's new in the UK chart at number five and it's full of such cute visuals, that I just had to cover it today, so I'm hoping it doesn't rise up to number one - although, it is Ed Sheeran, and it's one of my favourite songs he has released. Since Sam Smith & Kim Petras are still at number one with "Unholy", I chose this song from the UK Top 10.
Written by Ed Sheeran, Steve Mac, and Johnny McDaid, with the former two songwriters co-producing the track, "Celestial" is an addicting track that has a cute autumnal vibe to it perfect as the weather changes from summer to autumn. Clear and crisp, the song has that exciting feeling of love mixed throughout with Ed Sheeran's vocals on fire from start to finish.
The music video, directed by Yuichi Kodama with Genki Kawamura and Masami Hatanaka acting as producers, is a fun day in the life of Ed Sheeran the Pokémon trainer. The visuals mix real life with cartoon animation warping both worlds into almost an augmented reality concept as if both complement each other. I like the idea of Ed Sheeran being the only person who can see the Pokémon, so when he's travelling on Lapras or Charizard, the average general public sees Ed Sheeran travelling on invisible creatures.
The first half of the video comes off better on story concept, I love the idea of us all having our own Pokémon in our homes, helping around the house (or making things worse). The second half becomes more skewed, with Ed Sheeran just going about and walking on the street, but then ending up at the end trying to stop Mew and MewTwo, regardless of that, the imagery in the second half is beautiful, that field with the Bulbasaurs is just epic!
Now, this is what we call an all-out music video, but what do we expect from a Sam Smith & Kim Petras team-up with the title "Unholy"? There's literally so much to unpack in this four-and-a-half-minute music video, there's just so much going on and I always see something new. The LGBTQ+ representation is undeniable and effortlessly done - again, we expected this from Sam Smith and Kim Petras.
They've topped the UK Singles Chart this week with this song and I hope it's a chart mainstay as we need these unapologetic queer artists at the top of charts around the world! In topping the UK Chart both Sam Smith and Kim Petras have made history (ermmm... I mean herstory), because this is Sam Smith's first number one in the UK since he came out as non-binary becoming the first, and only ever (to date), non-binary artist to top the UK charts, and Kim Petras follows suits becoming the first, and only (to date), trans artist to top the charts; time for this LGBTQ+ duo to break records and stereotypes around the world!
Other than the UK, this track has seen itself sit atop global charts including Australia, Canada, the Billboard Global 200, Greece, Hungary, Ireland, Lithuania, New Zealand, and Slovakia. I'm sure more chart number ones are around the corner, since it's at the top spot on iTunes, Spotify, Apple Music, and YouTube charts globally - including Romania, Singapore, the Netherlands, Poland, and the United States, amongst others.
As a Kim Petras fan, I instantly love this song, (how "Coconuts" wasn't a worldwide hit I'll never know) and I've been pretty keen on Sam Smith's latest tracks, with their "Diamonds" single easily being one of my top songs of 2020 (it just speaks to me as it was released a few months after the breakdown of my relationship of nearly three years). "Unholy" was written by Sam Smith, Kim Petras, Blake Slatkin, Henry Russell Walter, Ilya Salmanzadeh, Omer Fedi, and James Napier, whilst it was produced by Sam Smith, Ilya Salmanzadeh, Cirkut, Omer Fedi, Jimmy Napes, and Blake Slatkin.
Directed by Floria Sigismondi with Joel Honeywell acting as director of photography, this "Unholy" music video is stunning, incredible, and truly unforgettable. It has all the elements of a great music video, especially with an engaging narrative whilst also making Sam Smith and Kim Petras totally shine. The choreography was created by French dance collective (LA)HORDE, with notoriously-known drag queens Violet Chachki (winner of season seven of RuPaul's Drag Race) and Gottmik (third place in the 13th season of RuPaul's Drag Race) acting as the bosses of the club - which is the only issue I have with this music video, as these two queens do not have the best reputation and I don't understand why UK drag queens weren't used instead, or even local drag queens, as the RuPaul Drag Race UK already spans four seasons with many credible alumni who have already proven their brilliance in music videos, although special shout-out to Baby who is one of the dancers in the video and is also currently on series four of RuPaul's Drag Race UK.
The music video opens up with a couple, where the husband (played by Henry Davis) decides to attend a sex club cabaret venue instead of being beside his wife (played by Maren Bjorneseth) at a Poetry and Literature party. He drops her off, makes sure she takes his coat as it's cold, and tells her not to wait up; only in his rush, he forgot about the unopened condom wrapper with the venue, "The Body Shop", emblazoned on the front, the name of the club, which was in the coat pocket. We then watch him go into a garage where Sam Smith and Kim Petras are mechanics, but it's all a front for the cabaret show that's around the back.
Taking inspiration from The Clockwork Orange, Moulin Rouge, Madonna, Claude Cahun, Crazy Horse, Mr. Pearl, and Bob Fosse, this music video really has it all. Sam Smith is a legend for the dance spotlight they have on them with the incredible backing dancers highlighting them in every way. Their confidence and strength on stage really is bright and it's clear that Sam Smith is owning who they are and hands down their stage presence is out of this world. Sam Smith loving themselves is a total goal! Kim Petras brings it in her Madonna and Moulin Rouge moment too! This is just beyond epic!
The ending sees the husband's scandals shown publicly with a car behind him that has spray-painted words on which are "Liar", "Cheat", and "Fumier", the latter being in French which means "Manure" or as we brits would say, "Shit", or any combination of that word which the husband can definitely be described as. The wife walks into "The Body Shop" and sees this on display, but instead of letting it get to her and breaking her apart, she is liberated by the entire show and feels free to be who she is, with confidence, and so removes her coat and her wig, feeling sexually liberated.
This music video is everything I wanted it to be and more. The song is about a straight relationship where the man cheats on the wife and the music video is not just fitting, but explodes the meaning of the song and creates this awesome concept that makes me want to watch it again and again, constantly wishing it was longer, as this is something I never want to end, yet Sam Smith ends it with a fan saying "fin" - the French word for "end".
The cast includes dancers Daniel Allwell, Aleshia Williams, Emily Haygarth, BABY, Jordan Boury, Megan Charles, Novaya Shey, Samuel Mena Garcia, Pfion Vince, J’Adore La Vie, and Sakeema. There's also a lot of featured cast, including Yuri Park, Nancy Violet, Jolene, Brett Tatham, Louise Gibb, Nicholas Tredrea, Kitt Ibbott, William Darby, Lulu Kapansa, Armando, Fern G, Ego Valentino, Treasure Iyamu, Daragh Mccann, Lewis Walker, Jamie, Paddy O’Brian, Amani Hussain, Miriam Veil, and Max The Tribrid.
As expected, Ariana Grande jumped straight to the top spot of the UK Singles Chart with her latest track "positions" and so I am reviewing the music video for my Chart Mondays review. I am not so impressed with the song, she has definitely released better songs in the past, but this is her official seventh UK number one. As usual, her voice is superb, but the song just doesn't hit me unlike some of her previous songs. It is the lead single from her brand new album of the same name which has been released this week and is more than likely going to chart at number one on the UK Albums Chart. The track's lyrical content suggests that Ariana Grande is willing to try new things for the person she loves and her overall dedication to him and willingness to switch positions (from sexual to stereotypical).
The music video has been directed by Dave Meyers and sees Ariana Grande acting as president and fulfilling some of the tasks that the president undertakes whilst also taking on typical female stereotypical roles such as being in a kitchen. It also stars her mother, Joan Grande, as well as frequent collaborators Tayla Parx and Victoria Monét. The release coincides well with the 2020 US Presidential Election. I feel like this could've been iconic and there is substance to it, but it's just missing so much, I also don't like how it transitions between her positions. I truly believe if this was wrapped up in a complete narrative storyline, it would've worked amazingly.
This song, as well as the other songs from Pop Smoke's debut album, has been gaining traction over the last few weeks, which isn't a surprise sing the album hit number one on the UK Albums Chart a couple of weeks ago, with "Mood Swings" featuring Lil Tjay becoming his most chart successful song in the UK. Back in February, he was murdered where he was shot twice during a home invasion. As with most posthumous releases, he has charted well around the globe, defining his legacy and making sure we're all aware of his name. I'm reviewing this music video this week as 24kGoldn and iann dior is still at number one with "Mood". "Mood Swings" is a great hip-hop track with raunchy lyrics and an addicting R&B backing track that all piece up together brilliantly, with Pop Smoke and Lil Tjay working well together on the track. The artists include references to their women and the expensive items that they own and therefore boasting about their lives and fame. The track has gone viral on video-sharing app TikTok.
It's so sad that Pop Smoke is no longer able to appear in his own music videos but Lil Tjay fully brings it for the visual. The opening scene sees two women in a car with the driver discussing with the passenger that she can't keep picking her up when stuff happens in her relationship even though the passenger states that she loves Lil Tjay. Then we watch their relationship unfold from the sexual attraction - and a lot of it within this visual - to the fights and disagreements that end up with her leaving him at the end. It's an important topic to cover in a music video, and that opening scene sets up the rest of the video absolutely perfectly. Lil Tjay brings it for the performance visual throughout, giving it his all and managing to make this a solid video even though Pop Smoke isn't there. I just wish there was more to the narrative overall.
Still at number one in the UK is 24kGoldn with "Mood" which features iann dior and so I have decided to review Justin Bieber's most-recent single and music video, titled "Holy" featuring Chance The Rapper as it is sitting at number 10 and has been for two weeks in a row. I'll be surprised if this doesn't climb higher next week, but there's also been a tonne of new releases this week and so the chart could see some interesting changes come Friday. "Holy" is one of Justin Bieber's songs that will go down in history as it's just so honest and he delivers it so personally that it's hard not to like it because his voice is just in tune with the lyrics of the song that you feel every word. Chance The Rapper brings it for his verse, impressing vocally and attuning to the track easily. I'm shocked this has only peaked at number 10 here in the UK, but here's hoping it climbs as it deserves to chart higher.
The music video is so good and relatable to a whole lot of people right now since many have lost their jobs - me included - and many are struggling with paying bills and rent and having difficulty with landlords, and it's so inspiring to see Justin Bieber showing these tough times in his music video, which has been directed by Colin Tilley. It stars both artists with Ryan Destiny (best known for being in Lee Daniel's Star TV series) and Wilmer Valderrama (best known for being in That 70's Show, From Dusk Till Dawn: The Series, and NCIS). We follow Justin Bieber as he works as an oil worker, a story is painted as he has a good home-life and an okay working life, and Ryan Destiny has a good working life too, until the pandemic hits and he loses his job, she loses a patient in her care home that she's grieving for, and then they lose their home and they end up walking the streets until Wilmer Valderrama, who has just returned from being in the armed forces, sees them on the sidewalk and offers to take them back to his home where a meal will be waiting for them. It's such a great music video that showcases that there are good people in the world, that there will be light at the end of the tunnel, and that good things happen even if you are at rock bottom. People need a music video like this, and it certainly helped me too as I feel like I'm at rock bottom right now - but I know so many other people are worse off than me. Chance The Rapper's part in the visual is purely performance-based and doesn't add much to the story but it's great to see him give his part his all.
Since Cardi B and Megan Thee Stallion are still sitting at the top of the UK Singles Chart with "WAP", I decided to review this music video by Paul Woolford, Diplo & Kareen Lomax as "Looking For Me" jumped into the top ten this week and is currently at number eight. The song is a great dance track but it doesn't hit me quite the way other songs in the genre does, it's not really my thing even though I am obsessed with dance music; however, it's great to see dance music hitting the charts.
As for the music video, directed by Double Ninja and produced by Left, it has such a bright and detailed aesthetic. The volcano itself looks so real. Three celestial beings representing the three artists, Paul Woolford, Diplo, and Kareen Lomax, appear down from the sky and starts to use their magic to upturn the volcanic rocks and turn it into bright and colourful flowers before erupting the volcano with paper-like animals which end up living on the new flower volcano area. It's a beautiful music video but I have no idea how it relates to the song itself, it's also quite slow at the beginning too. I was hoping for so much more, but regardless, it is well-animated and it does look so good!
Chart Mondays are back and we have a brand new number one! I knew Cardi B and Megan Thee Stallion was going to reach the top spot here in the UK at some point. Since "WAP" was released, the song and video have gone viral and so it's no surprise that it's reigning at the top of the official UK singles chart. Rap and hip-hop aren't really my thing, but I can appreciate its lyrics at times and there are a few artists in the genre that I actually like and support. Cardi B and Megan Thee Stallion come in hard for this track and I have to applaud them for how they've made their mark in what is considered to be a male-dominated genre. "WAP" samples Frank Ski's 1993 song "Whores In The House" and contains many sexual innuendos about how they wish to be pleased by men - which makes a change since for decades we've heard male rappers and hip-hop stars sing about women pleasing them, and it's great that Cardi B and Megan Thee Stallion has flipped the script with this release. To see such a song go viral and chart highly all around the world is a massive feat and has to be applauded.
The accompanying music video, directed by the one and only Colin Tilley, is flat-out incredible. There's so much power in every single scene and it's such a clever concept considering the lyrics. If this was a male song about women pleasing men, you can imagine the visuals - because we've seen it a hundred times before - and so creating a reversal music video would've been the most typical music video and yet it wouldn't have quite the effect (plus we've seen such music videos from other female artists in the past); instead, Cardi B and Megan Thee Stallion bring confidence, sass, and self-awareness of their bodies and their needs. They bat out the choreography with no problems and continue to be sexy, sultry, and sensual. There's a scene where Kylie Jenner walks down the corridor, and it's such a moment because there's so much self-empowerment in the way she walks that captures all our attention. Normani, Rosalía, Mulatto, Rubi Rose, and Sukihana, all make appearances, mainly as dance scenes, showing their fierceness and self-empowerment.
Cardi B and Megan Thee Stallion make an incredible and unforgettable statement with this music video and those who criticise the music video for its sexually explicit content need to look at themselves and complain about the hundreds of much-worse music videos by male artists that go back decades upon decades. This is on-point from start to finish and sexually-charged in a good way; it makes quite the statement, and we need more female empowerment in this world, for sure!
On Friday, it was announced that Jason Derulo and Jawsh 685 had made it to the top of the UK singles chart with their single "Savage Love (Laxed - Siren Beat)", the song of which had become extremely popular on the video streaming app, TikTok. The app has really taken over when it comes to the chart, with many of the songs being used becoming successful. This track has quite a bit of controversial drama surrounding it as Jawsh 685 originally released the track, titled "Laxed (Siren Beat)", instrumentally, which is the track that became popular on TikTok; and, he later reached out to a variety of well-known stars, to remix the track, one of whom was Jason Derulo - who leaked his version in the hopes of being the one to release the official remix. I guess it worked in his favour and, regardless, the song became a hit.
I always forget how incredible Jason Derulo's voice is until he releases a new song, he's such a diverse artist and extremely versatile and it's great to hear him showcasing his vocal prowess on this track. Instrumentally, it's addicting, and it's no surprise that this blew up on TikTok, but Jason Derulo's vocals certainly make the song.
There's not a whole lot going on in the music video, we're in an era where quarantine videos are the norm, and I'm sure there's been plenty of music videos in the past that are absolutely brilliant and still could be done under the same restrictions as we have right now. I was hoping this would've been a lot better, especially since the song was planned to become a success. We just watch Jason Derulo in the studio, singing the song and grooving to the beat. I don't really have a lot to comment on, in some of the scenes he is shirtless, but throughout you can tell how much he likes this song, and that's what really matters... I just wish there was more to this, it really is quite forgettable.
With the relaunch of my blog, I've decided to keep my Chart Mondays review, although I may have to switch up the rules for these reviews as the top-ten isn't as ever-changing as it used to be. DaBaby is number one this week with the song "Rockstar" featuring Roddy Ricch and since he previously got to number one, I'll probably write up a catch-up review on it and backdate it, so I've decided to choose Tion Wayne who has collaborated with Dutchavelli and Stormzy for this track "I Dunno".
I've been avoiding this for one for some time as it has always ranked highly in the UK Top 10; however, it's dropping down, and since this is a backdated blog, I do know that it will drop out in a couple of weeks. At the time of this backdated blog, Drake is at number one with "God's Plan" and so that opens up the UK Top 10 to my Chart Mondays review, hence why I chose this. The song has done incredibly well, just missing out on the top position for weeks. It is a catchy song, but it's not my sort of thing, which also explains why I've been avoiding it; I am so far behind on my blog, it is now getting ridiculous, but I'm not one to give up, at all. Watch Ramz spend time with his lover around London as he sings his song after visiting a barber's shop to get his hair done in this music video for "Barking".
Ramz, real name Ramone Rochester, is an English rapper from London, who went to the University of Plymouth to study Sports Development before dropping out to focus on his music career. This track is his official debut single, and what a way to launch in the music world. He has released a few other follow-up singles that haven't managed to chart. This song clearly did go viral, it managed to chart at number two in the UK, number four in Germany, and number eight in Ireland. The main question is whether he can gain another hit, or he could just be a one-hit wonder. "Barking" was written by Ramone Rochester.
The music video starts off with a narrative but includes a prominent performance piece throughout. It was filmed predominantly in Barking, London, and features a wide range of co-stars and extras. His love interest isn't named, as far as I can tell, so if you know who the actress is, feel free to comment her name below.
There's not a lot to this music video to be fair, but it is wholly related to the song. Ramz fully brings it to the performance side of things, expressing a relaxed style whilst nailing it with his energy.
The song is titled "Barking", so of course it is set in Barking, London and this is made clear throughout the video. There's complete relation to the lyrics at times, including his teeth. The opening scene seems unrelatable since his friends peer-pressure him into having a line put into his hair.
The narration seems cute as we see him meeting up with his girl and taking her out on a date. There's nothing else to this music video though, and I can't really fault it, apart from him not really explaining the opening scene, and the narration kind of needs to be fleshed out a little bit more. The music video is now the most-watched video on GRM Daily - the YouTube Channel that the music video was released on.
Please remember this blog has been backdated to 19 February 2018; so imagine how happy I am to finally review this music video because Drake's "God's Plan" has been number one for a few weeks without a music video, but he finally dropped one on 16 February 2018, which subsequently makes me review it the following Monday (the backdated Monday), as it is number one on the UK Chart for this backdated date - gosh I need to catch up on my blog asap so I don't have to try to explain this every single time. This is one of the most inspiring music videos but it isn't unique as it has been done a few times before, most notably by Blink-182 for their song "The Rock Show". Watch Drake take the budget for his music video and spend that money by giving it to people in need so that they can follow their dreams and feel supported in this music video for "God's Plan".
Drake, real name Aubrey Drake Graham, is a Canadian rapper who is most definitely one of the biggest male artists in the whole world at this very moment. Every single track he releases ends up being a hit. He is currently working on his fifth studio album which he is just finishing up. This single is taken from his EP Scary Hours but I reckon it'll be included in his new album since it has been such a hit. The song has charted at number one in various countries all around the world, further allowing Drake to prove that he's one of the most popular rappers around and that he's on top form. "God's Plan" was written by Aubrey Graham, Ronald LaTour, Daveon Jackson, Matthew Samuels, and Noah Shebib.
Directed by Karena Evans, the music video sees Drake give away the music video's budget to various people and businesses. The budget was a total of $996,631.90 and the video was filmed in Miami. It has received a lot of comparisons to Blink-182's "The Rock Show" as they too did a similar thing. I believe this concept has been done a few times over, so it's nothing new.
Unlike Blink-182, Drake decides to actually donate the money rather than have fun and smash things up. We see him pay for strangers' groceries in a supermarket, give away a car to a teenager, present cash bundles for families who are struggling; as well as hand out a tonne of toys to kids and donate money to various institutions including the University of Miami's Frost School of Music, the Lotus Home Women's Shelter and the City of Miami Fire Department.
Releasing a teaser on Instagram, Drake stated that the video was: "The most important thing I have ever done in my career." The ending scene of the music video shows a conversation with a young man, Drake tells him: "We're nothing without our mothers. Gotta make sure you take care of your mom, too, no matter what you do. It's all we got. Trust me. That's my world." That hit me right in the heart and made me tear up a little bit.
Overall, this music video depicts Drake in a very genuine light. He's down to earth and clearly wants to give back to his fans, the community, the people, and the world. There are many celebrities that are just as kind as Drake shows himself to be. On the other hand, the concept isn't anything new, and only partly relates to the lyrics of the song.
I have to admit, I have been disliking Jason Derulo's recent music videos because of the sexual exploiting of women, and just when I was going to forgive him since I actually enjoyed the first scenes in this music video, he has to flip it and use that golden glitter scene - just no! I'm fed up of seeing these sorts of music videos from him, the same thing could be presented differently and it would still work. At the time of this backdated blog post, Drake was still number one with "God's Plan"; the music video, of which, isn't out until 16th February, and it's only the 12th. So, it opens up the UK top 10, on this date, to my Chart Mondays review, hence why I chose this one. Watch Jason Derulo dance and sing with four backup women dancers, and the occasional backup male dancers whilst French Montana sits in a golden room with almost naked women in this music video for "Tip Toe".
Jason Derulo, real name Jason Desrouleaux, is definitely one of the biggest male artists in the world right now. His constant releases and collaborations gain him incredible chart numbers in a variety of countries. His first few were honest and real with incredible heart-felt lyrics; lately, the content has been very sexualised, and it's no surprise that those new tracks, such as "Swalla" and "Get Ugly" hasn't fared well on the US Billboard charts. Regardless, he's done well in the UK and gained some average chart numbers in other countries too. He's always on form. For this track, he collaborated with French Montana, real name Karim Kharbouche, who made his name internationally famous by releasing worldwide smash "Unforgettable" which features Swae Lee. He continues to establish a name for himself and is definitely someone we're all watching at this very moment. This song was written by Philip Kembo, Jason Desrouleaux, Soaky Siren, Karim Kharbouche, Tinashe Sibanda, and Johnny Mitchell. Uncredited vocals come from Soaky Siren.
Directed by Jason Derulo, himself, this music video starts off with an interesting dialogue, which then transforms into some killer choreography for all involved. This initially looks like a great thought-out performance-based music video.
The jungle theme may not relate to the song, but we could ignore that as Jason Derulo shows off with brilliant dancing. He's always managed to bring us exciting dance moves throughout most of his music videos giving us great energy and a perfect performance. The dancing is just, wow!
Then we switch to a snowy Japanese scene, which also doesn't relate and is quite a contrast, but could also be forgiven since killer choreography is here too. Everything is brilliant until the gold glitter scene comes in - this is not something I want to see or watch. Since when was it acceptable to put naked women in music videos, most of them are half-naked, but come on! There's no need whatsoever, and since there are no guys even topless in this, they're clearly downgrading women and it's just not right, especially after the #MeToo movement. Not only that, but French Montana just looks uncomfortable in his scene, whereas Jason Derulo pulls facial expressions that make him look like a pubescent teenager who has stumbled across naked women.
Overall, this music video goes down in my estimation the more I watch it and review it. Seriously, women act as animals in this visual and this is despicable to see. Luckily, Jason Derulo gets kudos for his dancing, and the women bring fire when it comes to dancing too. The choreography is just simply amazing and saves this music video.
I had planned to review this weeks ago, and then I noticed it would appear in the UK Top 10 in the future - no I did not foresee this with some magical power, I've been so far behind on this blog that I've been backdating every post for the past few months and that's how I saw that I would be reviewing this music video as a Chart Mondays review. Currently, Drake is at number one (and has been for many weeks after) with the song "God's Plan", the music video, of which, dropped a few weeks after this backdated date - so expect that music video review in the future. This opened the UK Top 10 to my review, and at number 10 is this song! I have not seen this music video before today and I believe Sigrid does her best with what she is given. Watch Sigrid move and dance around a set that looks like it's for a movie in this music video for her hit single "Strangers".
Sigrid, full name Sigrid Raabe, is a singer-songwriter from Norway. She's been globalising on her career for a few years, allowing her songs and music videos to go viral. She knows how to build up and it's certainly working for her. This song is her biggest hit to date, although her previous track "Don't Kill My Vibe" also managed to gain traction around the world. The big question is whether she'll be able to keep her popularity and release even more hits. This is something that a lot of rising stars are struggling with, and I'm guessing that Sigrid is going to be another one for us to add to that list. This song is written by Sigrid Raabe and Martin Sjølie.
Directed by Ivana Bobic for Riff Raff Films, the music video is a pure performance visual. We watch Sigrid interpret the song for the camera as she moves around a set.
The song mentions something to do with a film, so it feels like she's appearing on a film set and she's just using the props and the camera work for her own music video. It feels really unrelated to the song as a whole.
As for the performance side of things, Sigrid really works as much as she can. She does her best and that's all we can ask of her. However, I'm not sure if it is all that good as a whole. It just feels like it doesn't connect with the audience at home and it's missing some major things. It's just not all that interesting to watch. Kudos to Sigrid, though, because she works with what she's been given.
Time for Chart Mondays on this backdated date, and we have a brand new number one. It's Drake's song "God's Plan", yet the music video isn't released until late February, whereas this blog is being backdated to the end of January, so we have a few weeks until I finally review Drake's number one song, opening the UK top 10 to my review, and I have adored this song since it dropped - plus the backdated date is my birthday, 29 January - so, of course, I was going to review the music video to this, although I'm not happy about the music video itself. The song features one of my favourite artists, Ina Wroldsen, who's career I have followed for a few years. Watch dancers Shaadow Sefiroth and Shala Sarah Haruko Iwaskow perform in iconic London locations, such as the Natural History Museum, in this music video for Jax Jones' song "Breathe" which features Ina Wroldsen.
Jax Jones, real name Timucin Aluo, is a British DJ who has had a number of hits in his home country, as well as around the whole world. He's had the honour of collaborating with some massive names in the music industry. He continues to prove he is a force to be reckoned with and this song climbed up to the UK top 10 after the release of this music video, so no matter what my thoughts on it are, it does show that the release of the visual helped the song rise. It features the incredible singer-songwriter, Ina Wroldsen. She's known for writing some of the biggest songs in the industry, as well as providing her vocals to some iconic tracks. She continues to get her name out there and keeps giving us hit after hit. I can't wait to see what the future brings for her. I originally wrote up about this music video for CelebMix; I also wrote about the song upon its release, for the magazine. This song was written by Timucin Aluo, Fred Gibson, Uzoechi Emenike (MNEK), Ina Wroldsen, and William Clarke.
Directed by James Slater, this music video showcases these two incredible dancers. Shaadow Sefiroth and Shala Sarah Haruko Iwaskow dance their way through intricate choreography in this visual, keeping the audience entertained throughout.
The problem I have with this music video is that the artists don't appear in the visual, not even slightly; not only that but the choreography isn't anything amazing, there's a lot of body-popping going on with some good translation of the lyrics, yet sometimes there's just nothing that relates to the song.
There are some great locations, such as the Natural History Museum during after-hours, which is filmed inside the entrance, which is usually taken up by Dippy the Dinosaur, however, he's currently on tour around the UK, so we get stunning shots of a Blue Whale skeleton, that's hanging from the ceiling. Other scenes include a derelict shopping centre, a deserted Millennium Bridge, as well as them performing in the middle of Oxford Street - in the middle walkway between the two roads.
Overall, I totally adore this song, but it's music video just isn't enough for me. Kudos go to the dancers, who bring it to the best of their ability; and, to the Jax Jones-head dancer, who appears on the Millennium Bridge with the two dancers and pulls off some simple moves. The ending sees Shala Sarah Haruko Iwaskow alone on Oxford Street looking at a billboard advertising Jax Jones' "Breathe" with the mint sweets.
A new week means a new Chart Mondays, and I'm still weeks and weeks behind - I will catch up! I swear! On this backdated date, Eminem reached the top of the UK chart with "River" featuring Ed Sheeran; knocking off Ed Sheeran's "Perfect". At the time of this date, there was no music video to the UK number one song - it was released weeks later and I'll probably end up covering it in a future Chart Mondays review - so today's backdated Chart Mondays was open to the UK Top 10, and this song seems to be falling on the UK Chart, so I thought it was about time I covered this. Watch Rita Ora perform in various places in New York in what looks like a spontaneous recording in this music video for "Anywhere".
Rita Ora is currently one of the biggest female singers in the UK at the moment. She's managed to get all of her latest singles into the UK Top 10, which is certainly not easy to do nowadays. Her songs have been instant hits, and this all happened after she had a few legal troubles with her previous record label that could've turned into a #FreeKesha / #FreeJoJo movement if it hadn't all worked out in the end. She now has 12 UK top ten hits, which equals the record for the most UK top ten hits by a British female artist, equalling with Shirley Bassey and Petula Clark - it'll only take one more and she'll have the record all to herself. This song peaked at number two on the UK Chart and was written by Nolan Lambroza, Alexandra Tamposi, Alessandro Lindblad, Nicholas Gale, Andrew Wotman, Brian Lee, and Rita Ora.
Directed by Declan Whitebloom, the music video took 14 hours to shoot in various places in New York. The video is a pure performance piece with some iconic looks from Rita Ora throughout whilst she nails the energy for the song in every way.
Let's start this review about the fashion. Rita Ora manages to style every single bit of clothing in every way. Most of the jewellery was designed by Alexis Bittar, whilst most of the footwear was designed by Sophia Webster. As for the restaurant scene, the diners are real diners and the restaurant remained open during filming, allowing the diners to accidentally appear in the shots.
The whole clip embodies running away and escapism. What it is lacking is a love-interest, however, I'm going to imagine that her love-interest is actually behind the camera, shooting her being free. There's so much on-point fashion from different designers and in different styles that this blog will be way too long to list them all. Regardless, Rita Ora shines throughout, pulling off any sort of look possible.
Overall, this music video is good; however, it feels like it's a fashion-forward music video. This would be fine if the song itself was focused on fashion at all; instead, the song is about running away with a lover. Minus the lover, Rita Ora certainly isn't in LA, and she does act free as if she's been released from the binds of LA - we're going to ignore the fact that New York is on the other side of the US so it was totally a planned getaway. I also believe the viewers at home are the people she's running away with.
I really need to start to watch popular music videos, because I haven't seen this yet. This is literally the first time I have seen this music video, which is quite a surprise considering how popular the song is. I'm not sure what to make of this at all, I'm not really a fan of either artist and so that usually puts a slight judgement on to my review, same goes for the song itself which I'm not so keen on. This backdated review is a Chart Mondays, where Ed Sheeran with "Perfect" remains on the top of the UK chart, hence why I'm reviewing this song since it's in the Top 10 on this backdated date. Watch Julia Michaels sing this song in various places whilst an editing technique allows it to run smoothly, with Clean Bandit appearing throughout, in this music video for "I Miss You".
Clean Bandit are a three-piece instrumental group consisting of Grace Chatto, Jack Patterson, and Luke Patterson. They are the biggest British instrumental band in the country and they collaborate with other artists so that there are vocals on the songs. They've had a number of hits and every single release pushes their stamp further into the music industry. They are seriously unstoppable completely. Their second studio album is planned to be released in the early months of this year, so surely that means very very soon. This is a collaboration with well-known songwriter-turned-popular-singer Julia Michaels. Her song "Issues" became a smash hit around the whole world; since then, she hasn't lived up to that track until this one came along. She's definitely one to watch considering her amazing back-catalogue of songwriting hits. This track was written by Julia Michaels, Jack Patterson, and Grace Chatto.
Directed by Jack Patterson & Grace Chatto, this music video is flat-out iconic, purely because of the amazing editing techniques used. It always surprises me that their visuals are self-directed because they manage to nail it every single time.
We watch Julia Michaels walk along train tracks before switching to a desert scene that continues her path with layer upon layer between the two. It looks like they had complete fun filming this. My problem is that they're all dressed in red, making Julia Michaels look like she's a part of Clean Bandit as if she's the lead singer or lead vocalist or frontwoman of the group - this is not what we usually expect from a featured singer.
Overall, there's not a lot to comment on, I'm not so keen on Grace Chatto's outfit, it looks like it's been teared up. Otherwise, both artists nail the performance, giving it all they've got and allowing the viewers to be captured from the very first few seconds, but it doesn't really relate to the song and it doesn't allow any depth, only layers. I do admit, Julia Michaels looks amazing when she's on top of the piano.
Catch-up spree is in full force, and here's my Chart Mondays review from five weeks ago - yes, I am that far behind, although you wouldn't know since I have backdated the date. This song is totally the club-banger around at the moment, which isn't a surprise since it is by MK. I am reviewing the music video to this as on this backdated date, Ed Sheeran is still at the top with his song "Perfect". This music video fails to interest me whatsoever and was not at all something I was expecting. Watch a bunch of young people party, dance, and hang out with flashbacks of their youth in this music video to MK's "17".
MK, real name Marc Kinchen, is a DJ that has stayed current as the decades have passed. This is not something many DJs can state, although in recent years they have become ever so popular; which has allowed MK to return to the mainstream recently. He'll certainly be someone that will give us hit after hit, although he's not someone we're all going to be talking about as he is known for his initials, and that's going to take quite a few hits for people to get used to; although, if anyone can do that, it's MK! This song has hit it big in Scotland, Mexico, The UK, and Ireland. It was written by Carla Monroe, Dave Whelan, Marc Kinchen, and Mike Di Scala.
Directed by Dean Richardson, this music video really doesn't have a lot going for it. It's not engaging to the audience, and when you've seen it once you're not all that bothered if you see it again. It's bright and colourful and I love the fact that MK is representing black men and women within dance and house music.
We watch a party go on, before we watch the group interact in the street, all intercut with flashbacks and camera recordings. It's clever but it is so not interesting, it doesn't actively involve the viewers.
Overall, this music video falls flat, which is in major contrast to the song. Appreciation has to go out to the fact that it is quite relatable to the track and the lyrics; the content just isn't something that leaves us wanting more. Instead, within the first minute or so, we're wondering what else we could watch.
I've been avoiding reviewing this for weeks during Chart Mondays, purely because I knew it would be in the Top 10 for some time, and there was bound to be a week where I don't have much choice left. This was the week where Christmas songs dominated the charts, as they do every year. Unfortunately, I had already reviewed all the Christmas song music videos in the Top Ten, so it leaves this one and Rita Ora's "Anywhere" for me to review, but since this is a backdated review, I know for a fact that this one drops out before Rita Ora's song does, so I might as well do this one now. After my first watch, I'm wishing I was reviewing Rita Ora, not going to lie. Watch Big Shaq in Miami performing to the camera and including comedic scenes that relate to his viral track and biggest hit to date "Man's Not Hot".
Big Shaq is a comedic character who is played by English comedian rapper Michael Dapaah. He went viral with this song due to a meme after he appeared on BBC Radio 1Xtra's Charlie Sloth "Fire In The Booth" section where he played both his characters MC Quakez and Roadman Shaq. The previous character released a debut single titled "Balance". It was a freestyle on the instrumental of 67 and Giggs' 2016 track "Let's Lurk" which was first used on 86's "Lurk". It became a complete sensation, and he soon changed the character's name to Big Shaq and then released the song as a single. I very much doubt he'll manage to keep his success and continue having hits, but considering how Michael Dapaah maximised on this popularity, I have no doubt he can do it again. This song was written by Michael Dapaah.
Directed by Marv Brown, this music video starts off with a skit where Big Shaq receives a phone call from Asznee who turns out to be comedian and YouTuber Chunkz. As the video goes on we see various stars appear, including Waka Flocka Flame, Lil Yachty, Jim Jones, Broederliefde, and DJ Khaled, the latter of which calls Big Shaq a "legend".
Throughout, there are some relatable scenes, mainly with Big Shaq not taking his coat off, even when a girl asks him to take off his jacket, or even when he's in a sauna. We sure get that he really isn't hot.
Overall, there's not a lot that I want to comment on for this video. It's comedic to an extent, managing to relate some of the lyrics to the song itself. It's a quality music video with Big Shaq bringing some great energy to the visual, especially when it cuts to one of his gigs. I look forward to seeing if Michael Dapaah can bring another hit to charts around the world; I really believe he can.
